Bask quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens.

He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds.

Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media-critical broadsides to assuage his fear of being manipulated.

A fear cultivated in a repressive regime had now returned, but to the most unlikely and safest of places- The American living room.